So this is basically kind of like my public musical journal/history. I’ll be basically reminiscing on past projects and performances as well as sharing new projects here. Thanks for making it this far. :) In all these things — SDG
Hey you! Welcome to my little inner world…
A L T E R
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更迭
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coming soon
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Metamorfosi sottile
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coming soon
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Verwandlung
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Thay đổi
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coming soon
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부드러운 변신
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A L T E R ⋆ 更迭 ⋆ coming soon ⋆ Metamorfosi sottile ⋆ coming soon ⋆ Verwandlung ⋆ Thay đổi ⋆ coming soon ⋆ 부드러운 변신 ⋆
Conservatory Audition Recordings
N O V E M B E R 14th, 2014
Nearing the end of the first half of my senior year of high school, I recorded at Southwestern Baptist Theological Seminary for my conservatory auditions. Below are my recordings! Crazy to think that same year I recorded and released my originally arranged Christmas Album.
Happy Ever After music is a concept that is still in the works. I play and cater piano music (or even special requested songs, arrangements, and original compositions) for your perfect wedding day. Visit my instagram page to see more. @happyeveraftermusic
Happy Ever After Music
- A wedding business -
TEDxSMU Presentation (2009)
This was my very first TEDxSMU Presentation at 12 years old. I performed Debussy’s “Prelude” from Pour le piano and my arrangement of Kari Jobe’s “I know that you are for me”.
TEDxKIDS@SMU (2012)
It was my honor to give a second TEDx presentation. This time I played Rachmaninoff’s “Little Red Riding Hood” and did live improvisation. I think I was a freshman in high school (15 years old).
TEDxSMU Presentation (2020)
It was during my first year of Graduate studies in Cincinnati that I received contact to perform in the final and last TEDxSMU presentations. I was so honored. In this video, I collaborated with Dallas Native RonAmber Delaney, a poet and professor. In celebration of Beethoven’s 250th anniversary she found poems by African American poets on the subject of Beethoven and she did her own spoken word at the end. ( continue reading —> —> —>)
TEDxSMU Presentation II
(2020)
“When I first got the call I had no idea what to play or talk about…
I had just recently finished learning Beethoven's 4th piano concerto, relearning/learning new music for the NANM competition (which unfortunately has been canceled), and was preparing for a performance series in Milwaukee (canceled too ). For the talks however, I knew that I wanted to play Beethoven in homage to his 250th birthday this year. I also wanted to add some element of surprise and creativity. I was really excited about the fact (and still excited) that we are in the year 2020. How would I connect Beethoven and Improv? What is something I want to see more of in my current culture that is lacking (and in classical music culture as well)? Everyone in someway has a connection to Beethoven's music and everyone in our current culture has some form of social media. How is it that Beethoven's music is so powerful and speaks through 250 years of time? How is it that in a 21st century society while we're technically closer, there is still such a huge disconnect? One thing that I've observed about any large movement in history is that the past shapes the future (whether people break away or grow from it). The Baroque era of classical music went through huge shifts of breaking musical rules from the Renaissance, same with the Classical, Romantic, and so on (we can see the same politically, socially, and spiritually). Beethoven's music is a tangible example of the changes and through it came such wonderful innovation and beauty.
Well, technology constantly advances and helps in many aspects of convenience (research, comfort, efficiency, travel, communication, construction etc.). However, I find that human connection is so vital which technology isn't the greatest with at times. How strange and befitting that a week after this performance we are hit with this virus outbreak. Tangible connection with our loved ones is so much different than virtual connection. And music...a powerful, spiritual expression of the soul is a way of connecting. Music is human and we communicate with it every day by talking vocally.
ANYWAYS. So I thought it would be fun and innovative to compose on the spot by connecting with another person through music. Where someone picks any random note, and I create a song through it. Somehow tying together the idea of looking at the past (Beethoven) for inspiration, finding an issue (disconnect), and looking towards a brighter future (connecting with others) using the medium of music.
I'm reminded more of this as Passover and Easter is among us. Looking to the past but realizing that there is a greater and more powerful Hope! #solideogloria” - April 8th, 2020
Special thanks to SMU and Sharon Lyle for inviting me to perform for these events.
~Music for Vietnam~
With platonic partnerships between Glocal Ventures Inc., Music Talent, and the Vietnam National Academy of Music, Music for Vietnam serves as a functioning bridge to launch, oversee, foster, and aid in upholding the rich legacy of musical arts in Vietnam. Whether it be classical, jazz, traditional folk songs, original compositions, education, masterclasses, or musicals, Music for Vietnam is a supporting pillar for all aspects. Our mission is to not only reach multiple aspects of Vietnams culture, but to have an international artistic exchange in both Vietnam and the U.S.A interchangeably, cultivating and fostering an international platonic bond through the art of music.
Click the link below to find out more about this project and the annual trips that I, and other lovely musicians, will participate in!
New England Conservatory’s
Coretta Scott King celebration. (2019)
During my final year at NEC, I had the honor and joy to play with the NEC Black Student Union and present a formal concert in honor of the pioneering and illustrious alumni: Coretta Scott King. I made an arrangement of the Nergo Spiritual “I’ve been buked” for piano and 2 double bass, and collaborated with Daryn Dean on “His Eye Is on the Sparrow”. Thank you BSU and NEC for letting me be apart.
Keller Community Christmas Concert (2024)
I had the joy of arranging Greensleeves for the first Keller Community Christmas Concert in 2023. I also made an arrangement of Once Upon a December for the 2024 KCC concert. So I decided to do a mashup of both.
Violin: Albert Yamamoto
Cello: Dr. Alice Jeong Lee
For the 2024 Keller Community Christmas concert, lewis arranges a Christmas medley for world renowned trumpetist: Elmer Churampi! What a finale! Thank you so much Northwood church and team for allowing us to use this space and for supporting this performance.
Keller Community Christmas Concert (2023)
After the performance, a friend of mine coined the title and said “Whoo! This was not yo mama’s Linus and Lucy!” I have to say, I really do love the way the ending came about for this arrangement.
Lewis Warren Jr. and members of the NorthWood Band perform an original arrangement of “Linus and Lucy” for the Keller Community Christmas Concert on December 3rd, 2023. Special thanks to Northwood church and team for the amazing opportunity to use their sanctuary and supporting the musicians.
Pianist: Lewis Warren Jr. Organist: Kevin Graves Electric Guitar: Charlie Trotter
Bass: Lorjust Bayne Percussion: Caleb Barnett Video: Grant Boan Audio: Ben Barnett
A rendition of Grown Up Christmas List by David Foster arr. by Lewis Warren Jr. sung by Kim Kenny Green at the Keller Community Christmas concert at NorthWood church.
Voice: Kim Kenny Green Piano: Lewis Warren Jr. Organ: Kevin Graves
Electric Guitar: Charlie Trotter Bass: Lorjust Bayne Drums: Caleb Barnett
Sound: Ben Barnett Video and Lights: Grant Boan
Kim Kenny Green
It’s always a joy and an honor to collaborate with the talented and gifted soprano, Kim Green. She’s a multiple award winner, a multi Grammy nominee, and a highly sought-after performer. I’m grateful for the many projects we’ve worked on together. When I first heard her sing, I was truly amazed—her tone is so powerful yet comforting.
Kim has carved out her own unique niche by blending operatic and gospel styles, which she affectionately calls "Gospera." One of my favorite moments was a recording of "He’s Got the Whole World in His Hands," which was captured in a single take. She wanted to improvise at the end, creating a worshipful moment— and I swear, the Holy Ghost showed up, baby! It was an unforgettable experience to witness her spiritual gift in action.
Piano Arts Education Project (2020)
This was such a fun project! With permission from Mrs. Medford , I’m so happy to share these series of videos. This was apart of an education program that I recorded for PianoArts in the summer of 2020. Was quite miraculous actually because everything was shut down. So much thanks to Jonathan, Chris, and Steve Swinney for helping me with the piano tuning, audio recording ( and Lynn Chen as well), and video recording. Also thanks to the Bolin and Beasley family for allowing me to use the space. Also many thanks to PianoArts for allowing me to be in this project. Enjoy some Gershwin 🎵
Another educational video for the 2020 PianoArts project.
Video - Jonathan Swinney
Audio - Chris Swinney and Lynn Chen
Nearing the end of this 2020 recording project, just before playing, I received news that a high school colleague had passed away and that a childhood friend of mine had shot themselves in the brain. Well, I still had to finish recording the first movement of Beethoven’s Pathetique! 😂 Truly a piece ahead of its time, the first movement expresses such angst, fury, delirium, restlessness, and passion. I honestly never tire of this sonata. The themes and motives in each movement are unique and beautiful in my opinion. It’s also quite fun to play (and am grateful I only had to do one take).
The PianoArts foundation wanted to include a French lesson within the realm of classical variations. Mozart’s “Ah! Vous dirai je maman” was the perfect choice. Moments prior to the piece, I taught a lesson in French on how to pronounce the lyrics (to my best ability). The melody to "Twinkle-Twinkle Little Star" makes that more feasible. After that, they are introduced to the nearly full piece and variations. There is one variation that has reduced audio quality (some mistakes weren't editable due to time constraints). What a genius, quaint, and charming piece, that like a diamond, has shun over us for hundreds of years...
Basically Beethoven Festival
2021, 2022, & 2023
Lewis plays Anthony R. Green's Etude II for the Basically Beethoven Festival in 2021 on a virtual concert series. He also performed Beethoven’s 3 marches op. 45, Schuberts Fantasie D.490, and Gershwin’s Cuban Overture with Dr. Alex McDonald which appeared on WRR classical 101.1 FM.
Lewis Warren Jr performs for the Basically Beethoven Festival in Dallas, TX July 2022. Prior to this performance, he played Rachmaninoff’s first piano Sonata op. 28 no. 1 in D-minor.
Piano: Lewis Warren Jr. Oboe: Scott Wollet Bassoon: Olivia Oh French Horn: Gerald Wood Clarinet: Danny Goldman
Lewis and fellow musicians perform Schumann's stunning piano quartet for the Basically Beethoven Festival in Dallas, July 2023.
Movement IV: Finale - Vicace
Violin: Pei Pei Betz Viola: Rachel McDonald Cello: Theodore Harvey Piano: Lewis Warren, Jr.
Van Cliburn’s 50th Anniversary Gala
(March 2012)
There are rare moments in life when everything seems to align perfectly, when miracles feel just within reach. I will always be grateful for the incredible honor of performing for and meeting Van Cliburn — an experience forever carved into my heart, a source of inspiration I carry with me every day.
That night, nerves took hold of me so tightly I couldn’t even bring myself to eat. I believe the performance only started around nine o’clock, and as I played Chopin’s Revolutionary Etude, everything else faded away. Suddenly, I was led to meet Mr. Cliburn himself. His kindness and graciousness felt like a warm embrace, and I remember feeling a mix of awe and relief — overwhelmed, yet blessed. I was so grateful that my mom and my teacher, Dr. Carol Leone, were there beside me, offering quiet strength and support. And I will always appreciate the steady, comforting presence of Mr. Buddy Bray, whose demeanor helped me find my footing in that unforgettable moment. (photos below)
Chopin for All Series (November, 2023)
After winning first prize in the MTNA National round and receiving the Ebony Award, I had the great honor and joy of being invited to perform for the Chopin Foundation of the USA. It was a truly wonderful experience, filled with meaningful performances, a beautiful stay, and the opportunity to give my first public professional master class to high school students. I am deeply grateful to the amazing Barbara Muze for her generous hospitality and for providing this incredible opportunity to share my love for Chopin’s music. Also much thanks to the Chopin foundation for allowing me to perform. Below are some pictures and a recording of about half of my public recital at the Granada church in Coral Gables.
Playing the 2nd movement of Chopin’s 2nd piano concerto with the Irving Symphony Orchestra for the City of Euless (my former residence) was so fun. It was truly a favorite moment of mine. So there I am. 10 year old me playing with an orchestra in 2007 for the first time ever! Thank you Irving Symphony Orchestra, City of Euless, and Dr. Carol Leone for this oppurtunity.
Concerti
Having won first place in a local piano competition, I was honored to play the 1st mvt of Rachmaninoff’s 2nd piano concerto with the Meadows Symphony Orchestra under the baton of Paul Phillips. What an exhilarating day. Thank you MSO, Dr. Paul Phillips, Dr. Carol Leone, and Dr. Eldred Marshall for the unwavering support and experience.
Chopin's Piano Concerto no. 2 in F-minor Maestro Jaap van Zweden and the DSO
Another “Pinch Me!” moment occurred when I had the opportunity to play with not only the Dallas Symphony Orchestra, but to play with the illustrious conductor: Jaap Van Zweden! What an honor. The cherry on top was that I was able to play on of my favorite composer: Chopin! This is a photo with Maestro Zweden and I after the dress rehearsal at the Meyerson. It was so fun to practice in the big hall with all of the excellent orchestra members
The performance was in Greenville, Texas for the DSO’S summer concert series. I felt as if the performance was successful. There were smiles all around. :) Much thanks to the DSO, Jamie Allen, Maestro Zweden, and Dr. Carol Leone for this oppurtunity,
Grieg’s Piano Concerto with the New York Sessions Symphony Orchestra
Another luminous chapter in my journey was the honor of performing Grieg’s Piano Concerto in the Broadway Presbyterian Church in New York, accompanied by the NY Sessions Symphony Orchestra in March, 2017. This piece, which I have cherished and studied since childhood, finally came alive in the grand full ensemble — a moment of pure joy and fulfillment. I still recall the daily hustle—bussing from Boston to New York for rehearsals, late-night lessons under the glow of city lights with my teacher, and the heartfelt pride my family radiated as they watched. The performance transcended mere notes; it became an evening etched into my memory. My deepest gratitude goes to Ben Niemczyk for his sensitive and inspiring direction, and to Professor Rosenbaum, whose wisdom, guidance, and steadfast support have steadied my hand through every step of this beautiful voyage.
Mozart Piano Concerto no. 21 in C-Major
(September 2018)
Just before the summer of 2018, I received word that I was invited to learn and perform Mozart’s 21st Piano Concerto for the opening concert season with the Wichita Falls Symphony Orchestra under the baton of Fouad Fakhouri. Such an honor! I’ve enjoyed a positive rapport with the Wichita Falls Area Community Foundation since childhood, often providing both public and private concerts for their audiences. Returning to truly perform with an orchestra was a special joy, especially as it coincided with my birthday—making the occasion all the more memorable. The two performances went decently, each filled with thoughtfulness and emotion. One of the most enjoyable aspects of preparing this concerto was composing my own cadenzas for the first and third movements, adding a personal touch to an already breathtaking piece. It was a wonderful time to reconnect with family and friends, and to share the gift of music with the people of Wichita Falls—an experience I cherish deeply. Much thanks to the Wichita Falls Area Community foundation, The WFSO, the Caves, and Bolin families for the support.
NASCAR SAMSUNG 500
2009
A 12 year old boy performs his own rendition of the national anthem.
I had the incredible honor of performing at a venue where Eddie Gossage, the former president of Texas Motor Speedway, himself heard my performance. He called me afterward, inviting me to create a special rendition of the National Anthem to be played before the races. I dedicated about two months to crafting a perfectly timed arrangement of 1 minute and 30 seconds for television broadcast.
Being given the opportunity to perform on international television, in front of a staggering 200,000-person audience, was truly a joy. The thrill of performing live was just as exhilarating as witnessing Jeff Gordon’s victory on the track. Sharing that moment surrounded by family and friends made it all the more unforgettable—a true pinnacle in my musical journey.
Thank you, Mr. Eddie Gossage, for this extraordinary opportunity and for trusting me to be part of such a special event.
NASCAR O’REILLY AUTOPARTS 500
2018
Nine years later, Mr. Eddie Gossage kindly invited me to perform the National Anthem once again. I was deeply honored by this invitation. During that time, I was studying at the New England Conservatory of Music, working part-time at a Japanese clothing store, and teaching lessons to students. I vividly remember that weekend—alongside the performance, I also held a private concert for a family in Dallas.
This occasion inspired me to craft a more mature and nuanced version of the anthem. As I expressed in an online interview I had with the New England Conservatory, “"I had the chance to express my joy for my nation through music. I also wanted to express my hope and showcase the beauty within the arrangement as well. One portion I purposefully did was to make “For the land of the free…” quieter and more contemplative; almost like a beautiful dream or memory, yet a future hope and cry." The crazy thing was that it was actually forty degrees outside; my hands were freezing cold. I couldn’t feel them when I was playing. Fortunately, the performance turned out well. And once again, it was such a great joy to be surround by family and friends.
May Mr. Eddie Gossage rest in peace. I’m forever grateful…
Susanna Lee White
(2021)
During my graduate studies at CCM, it was a difficult time due to the intensity of the program, the pandemic unexpectedly happening, and my social circle being very small (as an extrovert that was diminishing). Providentially, I befriended Susanna and her kind husband, Sean, through another dear friend couple and we instantly connected via music and our faith.
Susanna is a remarkable talent, with an incredible voice and stage presence that captivates everyone. The videos I’m sharing are from a performance we did together in Kentucky, for her NYC music reel shoot. That moment, and many others like it, are among my favorites to reminisce —not only because of the music we created but also because of the bond of friendship and the shared pursuit of reaching for the stars.